By the day's end it was clear to Fleda Vetch that, however Mona judged, the day had been determinant; whether or no she felt the charm, she felt the challenge: at an early moment Owen Gereth would be able to tell his mother the worst. Nevertheless, when the elder lady, at bedtime, coming in a dressing-gown and a high fever to the younger one's room, cried out, "She hates it; but what will she do?" Fleda pretended vagueness, played at obscurity and assented disingenuously to the proposition that they at least had a respite. The future was dark to her, but there was a silken thread she could clutch in the gloom—she would never give Owen away. He might give himself—he even certainly would; but that was his own affair, and his blunders, his innocence, only added to the appeal he made to her. She would cover him, she would protect him, and beyond thinking her a cheerful inmate he would never guess her intention, any more than, beyond thinking her clever enough for anything, his acute mother would discover it. From this hour, with Mrs. Gereth, there was a flaw in her frankness: her admirable friend continued to know everything she did; what was to remain unknown was the general motive. "What else can I really pretend when you threaten so to cast me off if I speak the word myself?"!

"By letting yourself go." Owen held her hand very firmly and kept it even after an effort made by her to recover it—an effort not repeated, as she felt it best not to show she was flurried. That solution—of her living with him at Ricks—disposed of him beautifully, and disposed not less so of herself; it disposed admirably too of Mrs. Gereth. Fleda could only vainly wonder how it provided for poor Mona. While he looked at her, grasping her hand, she felt that now indeed she was paying for his mother's extravagance at Poynton—the vividness of that lady's public plea that little Fleda Vetch was the person to insure the general peace. It was to that vividness poor Owen had come back, and if Mrs. Gereth had had more discretion little Fleda Vetch wouldn't have been in a predicament. She saw that Owen had at this moment his sharpest necessity of speech, and so long as he didn't release her hand she could only submit to him. Her defense would be perhaps to look blank and hard; so she looked as blank and as hard as she could, with the reward of an immediate sense that this was not a bit what he wanted. It even made him hang fire, as if he were suddenly ashamed of himself, were recalled to some idea of duty and of honor. Yet he none the less brought it out. "There's one thing I dare say I ought to tell you, if you're going so kindly to act for me; though of course you'll see for yourself it's a thing it won't do to tell her." What was it? He made her wait for it again, and while she waited, under firm coercion, she had the extraordinary impression that Owen's simplicity was in eclipse. His natural honesty was like the scent of a flower, and she felt at this moment as if her nose had been brushed by the bloom without the odor. The allusion was undoubtedly to his mother; and was not what he meant about the matter in question the opposite of what he said—that it just would do to tell her? It would have been the first time he had said the opposite of what he meant, and there was certainly a fascination in the phenomenon, as well as a challenge to suspense in the ambiguity. "It's just that I understand from Mona, you know," he stammered; "it's just that she has made no bones about bringing home to me—" He tried to laugh, and in the effort he faltered again.

"Well, darling, what did you tell him?" Mrs. Gereth blandly inquired. "There's the chance, of course, that she may be afraid." "Perfectly; my little letter was a model of reticence. What I remembered was all that in those few words I forbade myself to say. I had been an angel of delicacy—I had effaced myself like a saint. It was not for me to have done all that and then figure to such a woman as having done the opposite. Besides, it was none of her business."